"Folk Art in the Philippines represents diversity on various materials such as Philippine hardwood, capiz, mother of pearl, carabao bone, carabao horn, etc. Folk artisans re-create church retablos, pillars, furniture, and vestments that even if they lack formal art training, have never ceased to amaze me. As a neo-folk artist, I am fascinated with the works of these unknown artisans, that has encouraged me to find experimental, innovative ways to make my own interpretations while focusing on the traditional methods such as woodcarving, inlaying, incising, and paintings which I have adapted as my personal quest for identity and aesthetic direction through researching the works of the folk artisans of Bohol, and the indigenous works of the Bukidnons, Tausugs, Maranaos, and of the North such as the Ifugaos and Kalingas.
"In my own small way, I’m striving to present a timeline of certain periods of our ruch cultural heritage, history and lessons based on the pre-Hispanic period up to the time of colonization by Spain and America. I have incorporated bits and pieces of our folk beliefs and customs such as the role of the stars in harvesting, planting, fishing, and the prominence of the phases of the moon and the stars/galaxies in our day to day existence. I’m also keenly interested in presenting contemporary interpretations of the retablos and urnas fused with inlaid materials as vehicles to present these timelines and also show ironies on history’s bitter twists and turns."
William Gaudinez's show Alay Sa Lemuria runs from July 17 to August 4, 2010 at NOVA Gallery, Warehouse 12A, La Fuerza Compound, 2241 Don Chino Roces Ave., Makati City. All images by William Gaudinez courtesy of Nova Gallery.
Wednesday, July 14, 2010
THIS WEEKEND AT NOVA ] William Gaudinez on his explorations on Philippine folk traditions
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