
"Folk  Art  in  the  Philippines  represents  diversity  on  various  materials  such  as  Philippine  hardwood, capiz, mother of pearl, carabao bone, carabao horn, etc. Folk artisans re-create church  retablos, pillars, furniture, and vestments that even if they lack formal art training, have never  ceased to amaze me. As a neo-folk artist, I am fascinated with the works of these unknown  artisans,  that  has  encouraged  me  to  find  experimental,  innovative  ways  to  make  my  own  interpretations while focusing on the traditional methods such as woodcarving, inlaying, incising,  and paintings which I have adapted as my personal quest for identity and aesthetic direction  through researching the works of the folk artisans of Bohol, and the indigenous works of the  Bukidnons, Tausugs, Maranaos, and of the North such as the Ifugaos and Kalingas.    
"In my own small way, I’m striving to present a timeline of certain periods of our ruch cultural  heritage, history and lessons based on the pre-Hispanic period up to the time of colonization by  Spain and America. I have incorporated bits and pieces of our folk beliefs and customs such as  the role of the stars in harvesting, planting, fishing, and the prominence of the phases of the  moon and the stars/galaxies in our day to day existence. I’m also keenly interested in presenting  contemporary interpretations of the retablos and urnas fused with inlaid materials as vehicles to  present these timelines and also show ironies on history’s bitter twists and turns."  
William Gaudinez's show Alay Sa Lemuria runs from July 17 to August 4, 2010 at NOVA Gallery, Warehouse 12A, La Fuerza Compound, 2241 Don Chino Roces Ave., Makati City. All images by William Gaudinez courtesy of Nova Gallery.
Wednesday, July 14, 2010
THIS WEEKEND AT NOVA ] William Gaudinez on his explorations on Philippine folk traditions
Subscribe to:
Post Comments (Atom)
 
 
 

No comments:
Post a Comment